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Scan the invite QR your team leader shares, or type your team's code on the join screen. It drops you straight into the Game Screen with the code already filled in.

No. You open a link in your phone's browser and you are playing. There is nothing to download, and nothing to read in advance.

Everyone can have one, and it works better that way, because splitting up and pooling what you found is the winning strategy. You all share one case, one set of points and one case file, so a single phone still works if someone's battery dies.

Allow camera access first, and shade the code if you are in bright sun. If it still refuses, there is a manual entry box on the scan screen: type the characters printed under the code and it behaves exactly the same.

Action Points are your team's shared budget, and almost everything you do spends some. Running low is normal and part of the design: you are not meant to be able to ask everyone everything. If you genuinely run dry, the organizer holds a hint code that tops you up.

Type or speak whatever you actually want to ask, in your own words. There is no list to pick from. How much a character likes you changes both what they admit and what each question costs you.

Catching a lie is a move, not an observation. Pick the claim you doubt, then cite the statement that contradicts it straight out of your team's history, including something a different character told a teammate elsewhere. A confirmed contradiction compels the truth and counts on your score.

No single clue convicts anybody, by design, so being stuck usually means two clues have not been put side by side yet. Re-read the case file together, including what teammates found somewhere else, and question whoever the evidence touches.

Either your team decides it has the answer and ends it, or the clock runs out. Then you get the questions: who did it, and how you know. They are graded against what the writer actually wrote.

The recap page, straight after the questions. It carries your score, what you found, what you missed and how you compare with the other teams who played the same investigation.

License a finished investigation from the catalogue, print the QR kit, place the codes, and run the evening from Mission Control. There is nothing to write and no code to touch.

About an hour for the first event at a venue: printing the kit, taping the codes up and walking the route to pin each location. The second event at the same place is quicker, because the codes are already placed and the coordinates already pinned.

Yes. Describe the place and the event you want and an Architect writes it for you, using your building, your street and your history. It is a conversation and a quote, not a checkout.

Watching, and nudging. Mission Control shows every team's position, points and conversations live, and lets you grant a hint, unlock a location or speak to a team as the Companion when they stall.

ImmA is merchant of record: the client pays ImmA and ImmA holds your share. You register the receiving account once, confirm it by typing back a small amount sent to it, and then take the balance out whenever you like or let the monthly run do it.

Yes, and it is a real part of what ImmA is for. The same investigation runs seated, in one room, with no walking and no clock: the codes go on the tables. Pricing does not assume a paying audience, so tell us what you are planning.

If you can describe a place and something that happened there, yes. Two sentences is enough to start, and if you already have the culprit, the cast and the tone, write all of it: nothing you specify gets overwritten.

A monthly subscription covers your AI generation, and that is the only thing GT pays for: running the models costs us real money per call, and images are most of it. Everything you do yourself is free: writing the text by hand, and uploading your own pictures, including art you generated with another AI tool.

Every organizer who licenses it pays you, again and again, for work you did once. You keep most of each licence; the rest covers hosting, AI, upkeep and the platform. You set the price yourself.

Museums, tourist boards, town halls, schools, works councils, agencies, bars and care homes, and they buy for different reasons: footfall at a quiet time, a message that sticks, a team that has to rely on each other. Knowing which one you are writing for changes the length, the tone and the price.